05/11/2020: Sketchbooks in relation to my practice.
The sketchbook is is the humble beginning to any great project. Within my own practice, a sketchbook allows me to document the natural world. I really enjoy taking this journalistic approach when creating work in my sketchbook and it soon becomes this little space of curiosities. I also very often record information about the thing I am drawing. This can either be through observations or research from books.
Here are some of my sketchbooks that I regularly use to document nature:
I find looking through other artist's sketchbooks to be really inspiring. Recently I have been looking through the sketchbooks of William Turner at the bleak gloomy landscapes he paints. Here are a few examples found in the Tate online archive:
Another artist who was introduced to me in the second year was Emily Sutton. Her work really resonates with me and I find her sketchbooks to be particularly fascinating. I really like the way in which she uses her sketchbook to make detailed notes on reality and the plethora of interests she has. Here is an example:
Thinking about the humble sketchbook reminds me of the very first project undertaken as part of my degree - the first concertina book summer project. The brief was to create a 30 page concertina that reflected our interest as an illustrator and showcased something we did over summer. I spend a lot of time in nature drawing so I decided for my project I was going to illustrate 30 things I saw in nature over the summer break. It really reminds me that nature journaling is what I enjoy doing and forms a large part of my personal practice. Here are some images from that project.











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